MTA shields Tenor from revealing his taxpayer-funded contracts

Through the Malta Tourism Authority (MTA), the government has filed an appeal against a decision by the Information and Data Commissioner, ordering it to publish all sponsorship contracts related to local concerts given by Maltese Tenor Joseph Calleja.

In July 2023, The Shift filed a Freedom of Information request asking the MTA for a copy of all sponsorship contracts related to Calleja’s concerts since 2013.

According to Ryan Pace, the MTA’s lawyer who also worked in Prime Minister Robert Abela’s legal office, publishing the information in these contracts would create a problem for the acclaimed Maltese tenor and prejudice future financial negotiations with other concert organisers.

The MTA insisted the information should remain confidential to protect the tenor’s financial and professional interests despite hundreds of thousands of public funds allocated for Calleja’s concerts since 2013.

The MTA objected to releasing this information and turned down the request. The Shift asked the Information and Data Protection Commissioner, Ian Deguara, to investigate. He ruled in favour of accountability and transparency and ordered the MTA to make the Calleja concert contracts available.

He said that since these contracts involved public funds, both the MTA and Calleja must expect to be scrutinised.

“The Commissioner highlights that whoever enters into a contract with a public authority should have the expectation that the information could be subject to a freedom of information request and possibly disclosed to the public,” Deguara said in a detailed ruling.

Insisting it would not publish these contracts, the MTA asked the Appeals Tribunal to cancel the Commissioner’s decision.

What’s the big deal?

According to MTA Chairman Gavin Gulia, Calleja’s concerts cost taxpayers hundreds of thousands annually. He boasted at a Parliamentary Committee hearing that he had managed to get these funds in check, reducing them to under half a million euro a year.

The government’s sponsorship agreements were significantly boosted soon after disgraced former Prime Minister Joseph Muscat took office in 2013.

Calleja himself said that while he did not earn any money directly from the government sponsorship, it was not fair that such information was revealed, as this could prejudice his future financial negotiations with other entities and organisations.

The Shift had already revealed other multi-million-euro MTA sponsorships related to local concerts, parties, and activities.

Joseph Calleja has been organising local summer concerts for years. To increase their popularity and attract a larger audience, his organisers also started involving foreign artists to boost Calleja’s concerts’ attractiveness. Government funds were also used for this purpose.

Initially, Labour increased its sponsorship for Calleja’s concerts on the premise that the non-paying public could still enjoy the performance through a ‘free’ standing area provided during the concert.

After a few years, the sponsorship continued despite  Calleja’s concert organisers removing the free area. All those wanting to attend the concert had to pay exorbitant prices or obtain a complimentary ticket, usually from the MTA or a government entity.

Both The Shift and the IDPC have filed their replies to the MTA and Calleja’s appeal, arguing that the public has a right to know how taxes are used.

                           

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13 Comments
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Paul Bonello
Paul Bonello
1 month ago

What a shameless parasite. Obstructing accountability of his contracts involving taxpayer money he merely loses all the aura and respect he had gained in his early years of his career. He has now allowed himself to be taken over by the carpe diem of the regime, shrouded by secrecy. In this case to hell with his voice

Last edited 1 month ago by Paul Bonello
Joseph Tabone Adami
Joseph Tabone Adami
1 month ago

First we had the Planning (?) Authority defy the Appeal Court’s decision on Portelli’s Qala apartments.

Now we have the Tourism authority attempting to defy the Court’s decision which demanded that expenditure of public funds be shown to the Public itself!!

M.Galea
M.Galea
1 month ago

Imbad Joseph Calleja gie fuq l podcast jghidilna li ma jiehu ebda flus mil gvern! Kif ma tafux tisthu!!

Booooo
Booooo
1 month ago

Mhux hekk…x ghala ghajnhom, l – awwa li min but dawk li jhallsu t – taxxi u mhux min buthom!
Kont nistenna ahjar mit – tenur.

KLAUS
KLAUS
1 month ago

Once again the Maltese pay out of the nose and get a hard kick in the ass.

Karistu
Karistu
1 month ago
Reply to  KLAUS

That’s because the Maltese insist on voting for one of two political parties that never evolve and are alienating young voters. If the Maltese had an ounce of brain cells, they would reject these crooks, currently in government and that other fractured lot, with their religious hypocrisy about abortion, immigration and women’s rights. This place needs a third political party.

KLAUS
KLAUS
1 month ago

This is the beginning of the end of the Tenor Calleja:

When you go into a bed with crooks, you get dirty.

Sim72
Sim72
1 month ago
Reply to  KLAUS

He was overhyped since Day 1 anyway. Which is typical of Lilliput island.

Joseph
Joseph
1 month ago

Calleja jumped on the crooks bandwagon, no more respect from me.

Robert pace bonello is
Robert pace bonello is
1 month ago

Why is everything so SECRET in this CORRUPT COUNTRY

Gee Mike
Gee Mike
1 month ago

Government has no money! It’s all people’s taxes, who pays has the right to know who is leeching us. If Mr Calleja is shy to reveal his handsome remuneration, then he certainly is earning a lot for nothing, just like all the other pigs, just because you sing, it does not make less of a crook.

Tony Barbaro Sant
Tony Barbaro Sant
1 month ago

One wonders why they’re refusing to come clean. It’s beginning to stink.

S. Camilleri
S. Camilleri
1 month ago

So, MTA believes it exists to defend private interests and not the public interest, accountability be damned. It has repeatedly shown where its loyalty lies – not with the public.

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